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BBC

What you do in the job?

A Producer/Director in Network Television (Nationwide terrestrial programmes) takes an idea and delivers the programme, usually leading a team of people, and working to a series producer.

The following comes from a - and indicates the tough demands for the position of PD on a network television programme. Communications skills, as we emphasise on StartinTV, are key... and this is a valuable summary.

What qualities are required?

To contribute to the output of General Factual by working as part of a production team and taking responsibility for specific programmes or sections of programmes. Working closely with the Editor/Series Producer, the producer is responsible for delivering programmes or films on time, to budget and to the highest quality. 1. Identify and select stories for films and programmes in a way which demonstrates strong journalistic skills and editorial judgement. 2. To creatively define the mood and personality of a film, carefully crafting stories that will resonate with a wider audience. 3. Visually drive the films, both in terms of style and structure, encouraging innovation but always working within BBC editorial guidelines 4. Lead and motivate Assistant Producers and Researchers, ensuring they have clear and realistic objectives, consistent with BBC Values. Give clear briefings, monitor performance, give constructive feedback, lead by example and treat team with consideration despite pressure of deadlines 5. Work closely with presenters where appropriate, ensuring they are properly briefed, and involving them in the editorial process, including scripting shows. 6. Working closely with the production manager, ensure every aspect of production is carefully planned so that filming and editing schedules ensure maximum productivity and programmes come in on budget. 1. Wide ranging knowledge of television production processes and a track record of creative programming, 2. including film making, and experience of helping to shape other peoples' films in editing. Experience of working on popular and primetime shows is essential. 3. Substantial experience of self-shooting desirable, making 30 minute programmes and working with a range of DV cameras. A technical and editorial understanding of lighting and sound issues would be useful. 4. Effective negotiating and management skills; experience of leading and motivating teams, and encouraging and developing production staff. 5. Evidence of interpersonal and communication skills strong enough to establish credibility with colleagues and top flight presenters and to foster strong working relationships with a wide range of people inside and outside the BBC. 6. Enough resilience and stamina to sustain performance when under pressure. Ability to cope with a huge volume of programme material, all of which must be thoroughly researched and investigated to ensure absolute accuracy and good judgement. Proven qualities of adaptability and flexibility in coping with rapidly changing circumstances and ability to prioritise and exercise excellent editorial judgement as circumstances change. 7. Ability to generate creative ideas and to think strategically about new programme ideas and an innovative approach to programme making. Awareness of popular factual output across all channels. 8. Experience of reconciling artistic aspiration with financial constraint, of planning and revising production budgets and schedules and delivering programmes on time and to budget. 9. Thorough knowledge of BBC Producer's Guidelines, production hazards and Health Safety regulations and legal issues relating to investigative journalism. 10. Able to direct to a high standard and fast turnaround. 11. Excellent scripting and narrative skills.

Demonstrates original and imaginative ideas.

Is able to transform original or unusual ideas/impulses into practical reality.

Can look at existing situations and problems in novel ways and come up with innovative solutions.

Communicates ideas and information clearly and concisely.

Listens to, understands and interprets information/instructions correctly.

Able to get ones message clearly understood by adopting a range of styles, tools and techniques appropriate to the audience and the nature of the information.

Can identify key influencers in the organisation.

Can adopt a range of strategies and styles of influencing depending on circumstances.

Constantly develops and expands own sources of influence.

Anticipates and provides sound arguments to support ideas/actions/initiative.

Has an ability to establish rapport quickly and effectively with new people/contacts.

Takes care to maintain and develop existing relationships.

Works harmoniously with a wide range of people and deals sensitively with contributors as well as with colleagues.

Understands the demands and pressures of others.

Give staff a clear sense of direction and purpose.

Creates a sense of responsibility amongst staff.

Creates and environment in which people support each other.

Gathers relevant information from a range of sources.

Demonstrates a full understanding and knowledge of sources and research methodology.

Sifts information and selects what is significant.

Translates analysis into practical action plans.

Thinks clearly and decisively, particularly when faced with unexpected problems.

Has confidence on own judgement whilst knowing when to refer to a more senior level Logically weighs up factors in order to make rational decisions;

Maintains responsibility for own decisions.

Prioritises and plans activities taking into account all relevant issues such as deadlines, staffing and resources.

Is able to integrate all known factors into the planning process.

Can maintain personal effectiveness by managing own emotions in the face of pressure, set backs or when dealing with provocative situations.

Can demonstrate an approach to work that is characterised by commitment, motivation and energy.

How you start and where you can go with it?

A Producer/Director may move on to Series Producing, and Executive Producing, or may move on to more interesting and demanding programmes as a PD.

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Learn how you can rally supporters to your cause, plan a campaign, and raise money and awareness.

What is Advocacy?

Advocacy is used when someone wants to effect positive change for a cause that they care about. It ranges from one person advocating for another person’s needs to an entire organization advocating for the needs of an entire community.

Advocacy is the force behind positive change in our local and global communities. Without advocacy campaigns, rallies, petitions, and the like, individuals might never know about various injustices. Advocacy is the megaphone that alerts others to problems.

Definition of Advocacy

Advocacy can be defined as the act of publicly recommending or supporting a particular cause.

Each method of advocating has its place and its need within the bigger picture and should be implemented accordingly.

As an organization, you can investigate your own mission and goals and see where advocacy fits in with the work you are doing.

For example, if your organization provides after-school educational opportunities to elementary school students, there is likely an opportunity to advocate on behalf of those students in some form or another. You can make a difference and help your program whether you raise awareness of problems in the education system through public forums, gather parents to help effect change in your community, or take other steps.

There aren’t limiting factors on how you advocate.

The important thing is that you DO advocate.

Supporting

Pleading

Defending

Arguing

Click here to learn more about the definition of advertising

What is Advocacy Advertising?

As you can likely guess from the term, advocacy advertising is the process of using marketing and promotional means to support and raise awareness of a cause that you’re advocating for.

Advocacy advertising is rooted in the cause at its core. It is about drawing attention to that cause. Because that core can be so diverse, advocacy advertising can be equally diverse. For instance, both a social media campaign for a political issue and an email campaign that raises awareness of heart disease can count as advocacy advertising.

Generally speaking, advocacy advertising is meant to influence public awareness of and opinion on certain economic, political, or social issues. This marketing method can occur through a variety of channels.

Think through the ways in which your organization already communicates with your supporters and use those pre-existing practices to employ advocacy advertising.

Televeision

Social Media

Newspapers and Magazines

Radio

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What is Online Advocacy?

As a whole, our society heavily relies on the internet. Among its many benefits, it is a source of information and a way to keep in touch. Both of those benefits are crucial to successful advocacy.

If your organization isn’t leveraging the power of the internet for its advocacy needs, you are missing out.

Online advocacy employs the capabilities of the Internet and its interconnectedness to drive change. Your supporters are online, so you have to be online. It’s as simple as that.

Your online advocacy can be maximized when coupled with offline efforts. Your goal should be to use all resources available to have the biggest impact and maximize the benefits to your cause.

Social Media

Twitter, Facebook, Instagram, etc.

Email

Newsletters, sending out links to online petitions, etc.

Website

Focusing site content on your cause, writing informational blogs, etc.

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Advocacy groups implement advocacy strategies to cause change in public policy and/or opinion. They are critical in the ongoing evolution of our social, political, and economic institutions.

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After play, lay down in the signature king-sized W bed in the bedroom with picturesque views of the skyline. You'll slumber away on a pillowtop mattress with 350-thread-count sheets and goose down comforter and pillows, a 65" LCD TV, a Nude Audio Bluetooth speaker, and an alarm clock with USB charging ports. A connecting second bedroom is available with advance reservations. Rule the master bedroom when you pamper with a full range of Bliss® Spa amenities, as you revel under the walk-in shower with cheeky peek-a-boo glass doors, while a separate half-bathroom is conveniently situated in the living room area.

Only one word describes this spaciously sophisticated one-bedroom suite—WOW. With a sprawling private terrace/balcony, take in the thrilling Manhattan skyline and sparkling Hudson River right from your very own Hoboken sanctuary. A carousel of creativity swirls around the cozy living room featuring a state-of-the-art entertainment system including a BOSE surround sound system, curling banquette and wet bar with wine cooler. Set in a warm glow from the dramatic light box aquarium filled with commissioned pieces by artist Marianne Lovink, the custom wallpaper by Backyard Designs turns on the cool. In the dining room, gourmet indulgences are served alongside a unique shadow sculpture and other modern creations.

After play, lay down in the signature king-sized W bed in the bedroom with picturesque views of the skyline. You'll slumber away on a pillowtop mattress with 350-thread-count sheets and goose down comforter and pillows, a 65" LCD TV, a Nude Audio Bluetooth speaker, and an alarm clock with USB charging ports. A connecting second bedroom is available with advance reservations. Rule the master bedroom when you pamper with a full range of Bliss® Spa amenities, as you revel under the walk-in shower with cheeky peek-a-boo glass doors, while a separate half-bathroom is conveniently situated in the living room area.

1 King Bed
Maximum Adults/Children
Adults 2
Children 0

Room size: 864 ft 2

The incident happened around 9pm on Saturday evening (July 7)

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A man has been taken to hospital after allegedly being in a collision with a car on Saturday evening (July 7) in Yeovil.

The incident happened just after 9pm on St. Michael's Avenue and police closed the road as the casualty was attended to by paramedics.

A witness told Somerset Live that they believed the man had been hit by a car, though there was uncertainty as to any details how it happened.

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The injured man had been placed on a stretcher board and was audibly in pain.

About First Financial

First Financial Credit Union was formed in 1937 by ten members of the telephone company. First Financial Credit Union now has over 71,000 members, with 15 branches in 9 cities throughout New Mexico.

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